Records of Being Held is a reintroduction to the tree as a unified being that is also an infinite series of cradles and portals. A bough can hold the human body with incredible firmness, and it can also visually carry a marvelous beyond of hills and valleys in its crook. Remember?
Paint, as a living and energetic collaborator, and as an embodiment of the soil, rocks and plants that make up the places that hold me, works with me to leave a record of my experience of bodily and sensory intimacy with that place.
Records of Being Held is designed to substantiate the presence of the living world and its many forms as not just "actants" - beings capable of playing imaginary roles - but "interactants": beings with agency capable of interaction and collaboration.
Ancestral knowledge of Kommema Kalapuya mineral pigment use was destroyed through cultural genocide, says elder Esther Stutzman. Although the Records of Being Held series will be offered for purchase, the pigments themselves will be available for “rent” only, with an annual fee paid at the time of the initial purchase to the Kommema Cultural Protection Association.
Under the Log (side 1 pictured) is the middle piece in this series: strange, personal, and ineffable, reflective of the pleasures of traveling into the unknown and feeling both lost and, at the same time, protectively concealed, hidden from sight and incubating insight.
Nothing Gold Can Stay (pictured) is a reference to the fleeting nature of spring, a feeling that is imbued in this performed painting. I briefly engaged with these foraged pigments as paint, but they’ll soon be ceremonially washed off and returned to their land. Family is a painted record made with all 47 pigments, from 33 contributors, that have been part of Wild Pigment Project’s Ground Bright monthly pigment subscription.
These leaves and clay balls represent 47 pigments from 33 artists around the world, assembled by Wild Pigment Project founder Tilke Elkins for Ground Bright, the project’s monthly pigment subscription. Each pigment has its own name, chosen by its contributor.
While painting, the artist wipes her paint brushes thoroughly on these leaves before dipping them in water to clean them. The leaves become like watercolor pans, whose paint can be used by whisking a wet brush back and forth across their surfaces.
Wild Pigment Project Founding Director Tilke Elkins (‘TIL-kah EL-kins’) has been researching, foraging for and painting with botanical and mineral pigments since 2008, with particular focus on the magic that happens when plant and stone pigments are combined. In addition to her solo exhibition at form & concept, she curated a concurrent group exhibition titled Wild Pigment Project at the gallery.
She leads group collaborations through classes and workshops, and co-organized the inaugural Pigments Revealed Symposium in June 2021. Artists interested in working with Elkins can view all currently offered classes here, or send inquiries to info@wildpigmentproject.org.
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Santa Fe, NM 87501
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